Adhesive Sounds (AS076), 2016
One of the things that makes mallsoft an interesting genre is the crowd-watching ambiance. When it’s done well – and it’s especially important for mallsoft to be produced at a high level of audio engineering, otherwise the purpose of it is crippled – it’s one of the most immersive subgenres of vaporwave, if not ambient music as a whole. To be able to create a specific type of audio image, particularly one that succeeds at mimicking the experience of wandering through a shopping mall, or just sitting, listening to the drifting muzak and experiencing the randomness of crowds, takes strong technical skill as well as a keen sense of aesthetics. Palm Mall by 猫 シ Corp is arguably one of the best pure examples of mallsoft, but others have taken the formula and tweaked it for their own expression.
I didn’t much care for High Fashion at first. Leisure Centre’s first release is very clearly mallsoft, but with an important difference: rather than the crowd ambiance at the forefront, it’s been moved to the background, while the musical element has become the focus. It took me a bit of time to adjust to this new interpretation, but once I got used to it, I realized that what Leisure Centre has done is just as worthy of praise as anything in the subgenre.
High Fashion is ten tracks of versatile and unintrusive ambient, with the noise of the crowds swirling just below the surface. The field recordings are always present, becoming more audible at times, while staying in the echoing distance at others. This technique gives the album a three-dimensional feel, as if each track is from a different store or particular area of what must be a massive indoor shopping complex indeed. The music does contain the light airy melodies so common to shopping-conscious vaporwave, with minimal melodies that float lazily through your mind days after listening. My favorite of these is “ピーク業務時間”, which I’m sure will rise to the surface of my conscious years from now, and I’ll wonder where I’d been when I heard it.
Leisure Centre doesn’t stop there. You’ll hear downtempo electro-style basslines, harps, dreamily wandering French female singing, slowly shuffling percussion, lonely guitar plucking, and a variety of delicate synthwork. High Fashion would be a wonderful album just on the merits of its music alone, but the constantly shifting ocean of crowd noise adds an entire layer of ambient immersion, moving the album into a completely different musical territory. Seamless ambience can’t be taken for granted, and when’s it’s connected to highly effective music as it is here, the effectiveness instantly jumps a few levels.
Once I got the hang of what Leisure Centre did, High Fashion became a playlist mainstay for far longer than I anticipated. It’s carefully and cleanly assembled, always with the bigger picture in mind. Adhesive Sounds has become one of my favorite labels, and with albums as focused and hypnotic as High Fashion, it’s no surprise. Leisure Centre’s wonderfully conceived and organically executed debut has vaulted up my best-of-the-year list in short order.